With their roots dating back as far as 192 AD, Vietnam's indigenous Cham people lived an Indian way of life in both culture and language. The Cham Museum in Danang is dedicated to this period and the Champa existence which began predominantly in the coastal areas of Vietnam. Housing the largest exhibition of Cham sculpture in the world, the museum displays almost 300 terracotta and stone works of art ranging from the 7th to the 15th centuries. Many of the exhibits are considered masterpieces of their field showcased according to the region in which they were found with a total of ten separate interior exhibition rooms. All of the sculptures on display fall into one of the following sections – icon, pedestal, pediment, or fragment, with the area in which they were found determining where they are exhibited. When you've finished browsing the internal creations, step outside to appreciate the building itself carefully crafted with objects of worship including idols and holy animals surrounded by flowers, leaves and turrets all symbols of Hinduism.
The Kingdom of Champa governed Southern Vietnam from 192 A.D to 1697 and left behind a legacy of unique Cham motifs and Hindu-flavoured architecture defining this period. Examples of this style can be seen in the temples and towers decorating the coastal and mountain areas of Quang Nam, Binh Dinh, Binh Thuan, Khanh Hoa and Danang which is where the museum is also situated. The museum itself is also a fine example of Cham architecture with flowing simple lines, designed by the French architects Delaval and Auclair. Most of the artwork in the museum from this period takes the form of sculpture with a decidedly feminine feel and was gathered from Quang Binh up to Binh Dinh prior to the Cham Museum opening at the end of the 19th century. In addition to the abundance of Hindu-influenced pieces there are also some that have evidently drawn inspiration from Buddhism including altars and deities. This range in religion reflects the eight centuries of Champa life from its start through to its height and then decline, with some of the more decadent pieces coming from the Champa golden age.